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2/28/02

See? Dreams can come true….

From BobandDavid.com:

Mr. Show DVD Curse Foiled!

Mr. Show seasons 1 and 2 will be released on DVD on June 11, 2002! The evil mummy whose tomb David desecrated with urine (not his own) who then cursed Mr. Show to “an eternity of banishment in the limbo of limbos…” was reported to be irate at the news. However, when he heard about the “extras” featuring cast members, writers and celebrities like Kedzie Matthews, Jeanette Dunwoody, and D’uberville L’avignon (Bob and David’s acting coach) doing audio commentary, he changed his tune. The Mummy’s previous tune was “Jackie Blue” by the Ozark Mountain Daredevils.

Yes!

2/28/02

I’ve been wondering if I am the only person who has been noticing the Christian lyrical themes in Clinic’s new record Walking With Thee. Now, nevermind that the title very obviously refers to God (or that the title track was originally titled “The Nuns”)… let’s just note some of the decipherable lyrics that pop up throughout the LP…

“bless them on their sins and all go home” – refrain from “Mr. Moonlight”

“snug as bugs inside your love, come into our room/ now oh now the winter glows/ it’s wonderful, no, it’s wonderful with you” – from “Come Into Our Room” – it’s very vague, but it seems like an invocation of the Holy Spirit or Jesus Christ…

“I believe in harmony/ I believe in Christmas eve/ free for all your happiness/ and no one’s living on their wits/ one so kind and one so wise/ one so kind throughout your life/ fill yourself with dreams/ come fill yourself with dreams”“Harmony”

“sunshine boy, the endless joy…/and Christ, our Christ/ all in their rows/ Christ, they’re in their rows/ come and watch and lap it up/ Christ, they’re in their rows/ inward and outward, come our love/ inward and outward, now it’s safe and warm/ and wonderful/ you’re all made up for the wars…/some don’t master, master come come again”“For The Wars”

That last one is so odd – for most of the time I knew this song, I thought of ‘you’re all made up for the wars’ to be referring to, well, make-up and nice clothing. But it seems to be saying that Jesus Christ and possibly by extension other religious figures to be ‘made up for the wars’, ie purely fictional excuses for violence. All of these lyrics, all of this music, this band in general – it’s all so vague and mysterious, and that’s part of why it’s so great. I don’t know quite what to make of the lyrics that can be understood on this record. It can sound and feel very spiritual and religious, but I can’t really draw any conclusions on how it relates to Christianity, though it’s clearly a big part of the album. I don’t know if I really want to know…

I’ll say this: if anyone, even Malkmus, puts out a record better than Walking With Thee this year, it will be quite an achievement.

Oh, and Jenny completely rocks.

2/28/02

Alright… I don’t know who the girl who sings “Extensive Care” by Crossover is , but this woman – she has the sexiest voice in the world, I am sure of this.

I can’t even describe why it is so sexy – it’s something in her intonation, her annunciation, her tonality, the way she sounds alternately bored, flirtatious, confident, silly, and as though she’s trying to change someone’s mind about something or other. She’s so convincing – she must be totally unstoppable in real life. …and when she sorta giggles when she says the line “…and tickled pink” – oh man! You just can’t get cuter than that.

I want a girlfriend who is exactly like this girl’s voice, or at least has a voice like hers. Please?

2/28/02

Ah, a nice day.

I bought a whole bunch of comics – I’ll comment on them a bit later, probably tomorrow. Several of them haven’t been read yet… Quite a diverse batch this week, as nearly all of my geeky superhero comics came out (Grant Morrison’s New X-Men, Mark Millar’s Ultimate X-Men and The Ultimates) plus I picked up a Spider-Man comic that Darwyn Cooke wrote and drew, just cos I love Darwyn Cooke.

I also picked up My New Fighting Technique Is Unstoppable because I loved …Filing Technique and Get Yur War On so much – I read a bit of it on the train ride home, and it’s funny, but not quite as good as those two. Which is fine, cos this came first, and the fact that the newer stuff better is a good sign for David Rees’ development as a fucking genius.

My package from Drawn & Quarterly arrived today too – I Never Liked You by Chester Brown, Clyde Fans pt 1 by Seth, Hundreds of Feet Below Daylight by James Sturm, and an issue of Nowhere by Debbie Drechler – all look quite good, but I haven’t cracked any of them open just yet.

Mmmm – of course, cos they are free, I got the new issues of The Onion, Village Voice, and Shout. Well, I’d probably buy The Onion print edition if it wasn’t free, just cos I like it so much, but this issue doesn’t really have anything particularly great in it.

2/27/02

My baby, she’s got baby eyes, my baby, she’s got those baby eyes…

I’ve been listening to “Baby Eyes” by Pyramids of Giza on repeat for about 15 minutes now – meaning, I’ve listened to it about eleven times and counting. It’s just so mesmerizing – the chanted hook, mixed with the staccato verses, the odd churning guitars which make me feel a bit seasick…. wow. Of course, this is by the same people who gave us the little slice of pop genius that is “Experimental Fashion” by Banjo-V….

These guys are so fantastic – they need to get famous, and quick. As it is, it’s a bit like having my own personal miniature Pavement circa Westing…

2/27/02

Oooh! A new Tom Scharpling compilation cd is being released…

from the site:

Culled from broadcasts of THE BEST SHOW ON WFMU (91.1 FM Jersey City, NJ), CHAIN FIGHTS, BEER BUSTS AND SERVICE WITH A GRIN shows BEST SHOW host Tom Scharpling and Jon Wurster –the man on the other end of the phone for these “interviews”– at their outrageous best.

Disc One:

1. The Music Scholar

A simple call from a listener chastising Tom for playing a Rolling Stones record leads to a fascinating peek inside the mind of “the coolest guy ever.” Charles R. Martin saw the Beatles at age six, the Stooges at ten, attended the legendary 1973 Rock Writer’s Conference in Memphis at age 15, moved to NYC in ’74 to bask in the CBGB/Max’s scene, and became a much-feared record store proprietor in the early ’80s. He eventually tired of rock, choosing to listen to soundless ‘air mixes’ for the next decade. A chance encounter with modern rock radio has given him a new lease on life.

2. The Gorch

Tom interviews 63-year-old greaser Roland “The Gorch” Gorchnick about his new book The Real-Life Fonzie’s Guide To Real-Life. Listen in as the Gorch gives the behind-the-scenes stories of how he inspired the show Happy Days, reminisces about life with his old gang the Deacons in 1950’s-era York, PA (“We beat up a baseball game once”) and dispenses the kind of advice that only a man who was once voted “America’s Most Violent Hoodlum” can (“Women love to get yelled at”).

3. Mike Healy (Part One)

An offhand comment about pregnancies lands Tom in hot water with caller Healy who can best be described as “the least-forgiving man on planet Earth.”

Disc Two:

1. Citizens For A True Democracy

Maurice Kern, CEO of Kern Pharmaceuticals and chairman of Citizens For A True Democracy, enlightens Tom and his listeners on such diverse topics as the 2000 election disaster, how to deal with protesters, capital punishment, cocaine and the fact that his friend President Bush is out to help everybody, “even those of us who earn in the octuple digit area.”

2. Radio Hut

Tom gets saddled with a call from a desperate electronics salesman who tries his best to mail him the latest Radio Hut catalog. The salesman, Jeff Cooper, then pushes such “high quality merchandise” from Radio Hut’s POT-80 (“pride of the eighties”) line as the Porta-Ghetto and Jukebox Fever.

3. Mike Healy (Part Two)

The Scharpling/Healy confrontation heats up and takes a very distressing turn.

2/27/02

File under: “These are a few of my favorite things…”

Jess was listening to “Price Yeah!” from Westing (By Musket and Sextant) by Pavement on Gilmore Girls. Nice. He was wearing a Punk Planet t-shirt, and gave Rory a copy of The Shaggs’ ‘Philosophy of the World’, which is pretty damn cool too. I’m rooting for ya, Jess. Rory will be yours eventually…

In other news: As I type this, Tom Scharpling is talking to the guy who was in charge of that Glutton Bowl thing that was on Fox. He’s discussing the merits of ‘competitive eating’ as a sport. So, so ridiculous.

2/26/02

Wow, kids still have foodfights? Poor choice of locale, though…

Are girls meaner than boys?

Stephin Merritt has the best press agent in music, I am sure of this.

2/26/02

I am very underwhelmed by the new Primal Scream track, “Miss Lucifer”. Which is a bit of a letdown, because “Bomb The Pentagon” and “Doors” are so great sounding. “Miss Lucifer” (which to be fair, the version linked here is an alternate version) is just kinda mediocre techno rock… nothing nearly as good as anything off of XTRMNTR.

Bad news about Primal Scream, by the way:

It seems they have neither a record label here in Britain, nor in America. According to Alan, everyone is scared to sign them and even Sony (who the band are contracted to release albums through for the next couple of albums) are scared of our Bobby and have to pass bad news on through Alan. Apparently, Astralwerks – who the primals were signed to in America for the release of ‘XTRMNTR’ – dropped the band 3 or 4 months ago. This was, Alan said, not due to the fact they have a song titled “Bomb The Pentagon”, but because ‘XTRMNTR’ only sold 25,000 copies in the states, which was not enough of an impact for Astralwerks to continue with. When Bobby was told of this he was said to have started laughing and then said (to quote Alan) “ah, I don’t want to deal with there anyway, I hate the place, I don’t ever wanna go back”.

No! I can deal with them not having a US label (I bought XTRMNTR on import loooooooooooong before it was out in the US), but the prospect of them never returning to the US to perform is heartbreaking for me, the show they played in NYC supporting XTRMNTR was one of the most amazingly intense sets I’ve ever seen. Aw, man.

2/26/02

Mm. Nice Michael Stipe interview transcript from CNN on Murmurs… I particularly like this bit:



I was looking for someone to start a band with, and Peter was the only person in Athens that would talk to me. I mean, I was very, very shy. He worked in a record store. He sat there all day with this kind of sneer on his face, kind of strumming on a guitar, and we struck up a conversation, and at one point talked about starting a band. I called him Richard for the first three months that we knew each other, and he never once corrected me. He never said “my name is not Richard, it’s Peter.”

2/26/02

Ha –



msp

file under: nelson: “ha ha!”

copy protected cds get a major slap in court

wee!

m.

_ _ _ _ _ _

martin

favorite part of the article:

“…so that free copies of the song will not spread willy-nilly across the web”

its time more articles used the term willy-nilly.

_ _ _ _ _ _

namdam

term heard in a meeting the other day:

another one that needs to be used more often by respectable journalists: “loosey-goosey”

Ex: “Premature implementation of this standard could make the entire system far too loosey-goosey.”

_ _ _ _ _ _

martin

awesome

anyone here who works for big corporations should start going to meetings and slowly introduce babytalk words as if they were the new “buzz” words. executives will be quick to latch on to whatever might keep them in touch with the “buzz” and hopefully in a few months you could have an entire board room speaking in singsongy rhymes and gurgling at each other…

or maybe not…

_ _ _ _ _ _

namdam

agreed!

as a test, i will introduce the following term in an unrelated context:

Ex: “While this system is not necessarily stable, there’s no reason for the department to get all goo-goo-ga-ga over it just yet.”

_ _ _ _ _ _

martin

and then…

slightly modify it at the next meeting:

Ex: “While this system is not necessarily stableywabley, there’s no reason for the depawtment to get all goo-goo-ga-ga over it just yet.”

when you get funny looks, just shrug and say that technology has its lingo, and to establish an understanding of the technology, you need a common language.

_ _ _ _ _ _

I guess visiting my old net hangout once in a while is at least good for a laugh or two.

2/25/02

from GBV.com:

New GBV Album

GBV has wrapped up production on their next full length release. Tentatively titled, From A Voice Plantation, was recorded at Cro-Mag Studios in Dayton OH and Waterloo Studios in Kent OH. The album will feature 19 new songs and was produced by the band and Todd Tobias. Unfortunately no information is available as to what label will be putting the album out and when it will be released.

and from Pitchfork Media:

Guided by Voices Needs a Loving Home

Gifted… prolific… snappy dressers… possibly housebroken

Will Bryant reports:

Guided by Voices have completed their next release for mass consumption later this year, according to their official website. The nineteen-track From a Voice Plantation (and that is completely set in stone, as you know Bob Pollard doesn’t like to change album titles, or song lineups, or the name of his band) was recorded old-school at Cro-Magnon Studios in Dayton, with Todd Tobias at the knobs. Todd and his brother Tim collaborated with Pollard on last year’s Fading Captain release Ringworm Interiors, under the bandname Circus Devils. Pollard’s band is currently Doug Gillard (guitar), Nate Farley (guitar), Tim Tobias (bass), and Kevin March (drums). The recently departed Jon McCann (not to be confused with claw-handed Presidential wannabe John McCain) played drums on the record. The boys did some additional recording at perfectly respectable Waterloo Studios in Kent, Ohio.

From a Voice Plantation was recorded by fully completing one song at a time, instead of Pollard’s usual bang-’em-out-all-at-once approach. The sound has been described as more akin to Under the Bushes, Under the Stars’ mid-fi guitar attack, but there’s still no satiating Pollard’s rock-opera jones: the Invert String Quartet provide strings for two songs.

As reported last week by Pitchfork, the new album will not be released by TVT, as were Pollard’s big-budget productions Do the Collapse and Isolation Drills. Our information says that Guided by Voices’ contract was simply not extended as the label obviously lavishs a lot more attention on Snoop Dogg and their stable of new-metal and rap-rock ho’s. Guided by Voices’ webmaster, Rich Turiel, says the band was “never able to reach a deal that both sides were happy with so they agreed to part ways.” What is this, The Godfather? Suffice it to say they’re free agents.

If your label would like to release a record with the following song titles (or whatever they’re called next month), please give a shout:

01 Wire Greyhounds

02 Skin Parade

03 Zap

04 Christian Animation Torch Carriers

05 Cheyenne

06 The Weeping Boogeyman

07 Back to the Lake

08 Love 1

09 Storm Vibrations

10 Factory of Raw Essentials

11 Everywhere with Helicopter

12 Pretty Bombs

13 Eureka Signs

14 Wings of Thorn

15 Car Language

16 From a Voice Plantation

17 Sick in the Eyes

18 Universal Truths and Cycles

19 Father Sgt. Christmas Card

Oh, man – no “Back To Saturn X”! That’s pretty disappointing. “Back To The Lake” is still stuck in my head, and I’ve only ever heard it once, back at their first Apollo show…

Some great titles there…I particularly like “Zap”, “Sick In The Eyes”, “Factory of Raw Essentials”, and “Universal Truths and Cycles”….

Can’t wait. I’d actually be quite happy if they went back to Matador, but my gut instinct (and the fact that Bob just did a record with its founder lends that feeling some credibility…) is that they will go with Merge.

2/25/02

Mark James Bamford’s blog is like the blogger equivalent of a Jandek record. Especially the newer a cappella/spoken word/recorded rants/mumbling cds… I feel creepy hearing/reading both of them, I feel like I’m not supposed to, as though I’m eavesdropping on something quite private, but Janky keeps churning out those records for someone to buy, and Mark’s certainly not hiding his blog from anyone… Quite literally, guilty pleasures, I guess.

2/24/02

It’s been a dull weekend, but the sheer volume of amazing euphoric music that I’ve downloaded this weekend eclipses any complaints about boredom I may have.

More fantastic mixes: U2 “With Or Without You” Vs. Daft Punk “Da Funk”, Outkast “Miss Jackson” Vs. Lauryn Hill “Doo Wop (That Thing)”, Busta Rhymes “Dangerous” Vs. Missy “She’s A Bitch” Vs. Ol Dirty Bastard/Neptunes “Got Your Money”, and Public Enemy “Bring The Noise” Vs. Dexy’s Midnight Runners “Come On Eileen”. (Not to mention the Evolution Control Committee PE “Rebel Without A Cause” Vs. some mariachi band, thanks to Rizla)

I’ve also been enjoying the Soulchild mix of “19-2000” by Gorillaz, the B-Boy mix of “Cavern” by Liquid Liquid, and Gold Chains’ “Rock The Parti is still rocking me harder than anything else. The only way to fully enjoy the song is playing it on maximum volume with the bass turned up as high as it can get, by the way.

As I said on Barbelith: [“Rock The Parti”] is just so incredible, and it’s a bit like a huge angry guy with a gun pointed at yr feet, forcing you to dance to a song you would have been dancing to anyway. Scream it out: “WHO ROCKS THE PARTY? WE ROCK THE PARTY! EVERYBODY ROCKS AT THE GOLD CHAINS PARTY!” I love it, the punk/dancehall/hip hop/kraut combo mixed with this feeling of intimidation and nervousness…

2/23/02

Oh my! This D12 “Purple Pills” Vs. Depeche Mode “I Just Can’t Get Enough” bootleg version is brilliant – certainly one of the best I’ve found thus far, along with “Stroke of Genie-Us”, Missy/O’Jays/Happy Mondays, Madonna/Young MC and the Q-Tip/Michael Jackson mixes.

No big shock that it’s a Freelance Hellraiser production…

2/23/02

I’m still getting more and more bootleg versions – Dr. Blog/Boom Selection has a lot of new Kylie versions, all of them mixes of “Can’t Get You Out Of My Head”, which was already a nice guilty pleasure song for me to begin with. What a great hook, right?

Kylie’s mainstreaming of the bootleg version on some European awards show seems to be causing quite a stir in the booty scene in the UK – apparently one of the better mixers, Kurtis Rush, has quit because he says that “what had started off as fun is almost turning into an industry and a “marketing” tool, and i dont want anything to do with it.” (quote lifted from The Dr. Blog) Fair enough, I can certainly respect that.

2/23/02

Since there’s no sense in pimping it on Barbelith, because so many people there are already aware of this band, I shall talk about my intense love of the song “Source Tags and Codes” by And You Will Know Us By The Trail of Dead here.

The song sounds as if it exists in a world permanently frozen in suburban US alt-rock 1993 – but is aware of that fact, and secretly does not mind being stuck there at all. It’s sorta like Sonic Youth if they had only ever released Goo and Dirty, and Thurston was the only member of the band who sang. It’s not exactly a nostalgic song, it’s more romantic than anything else – the epic sweep of the guitar lines, stings, and clunky-sounding piano makes me think of it being like the soundtrack to the final scene of a period piece set in the early 90s, like an old film from the 40s, but the film is about Superchunk or something. In some ways, it reminds me of “Shoot The Singer” by Pavement, which I’ve always described as being a romantic song about romantic notions, a beautiful picture of a past that never really happened. Ha, and of course, “Shoot The Singer” on the Watery, Domestic EP was released in 1993.

Ah, this just isn’t working out – I’m struggling with trying to describe this song, and one of the things I love most about it is this ineffable quality – I’ll never articulate this properly. I highly recommend it, obviously.

2/22/02

More good news: Enon will be releasing a new record called ‘High Society’ on Touch & Go in June. Hopefully it will be pretty good, or at least have a couple songs as good as “Conjugate The Verbs” from their first LP.

Even better news: Ted Rall will be putting out a new book called To Afghanistan and Back in April. I’m obviously very excited about this, even though I’ve read a big chunk of it on his website already…

2/22/02

There’s a funny thread on Barbelith in which “I” am an unstoppable force of destruction and misfortune. Ha…wrapped in milk.

I’m getting more and more fantastic boot mixes – the best one this morning being the Q-Tip Vs. Michael Jackson. That one is a classic, let me tell you…

Good news: NXM 123 comes out next week, only a couple weeks after the last issue. I guess I don’t mind spots of lateness if the issues do come out in rapid succession sometimes. Too bad Frank Quitely didn’t draw this one, though…

2/22/02

I’m up to my neck in bootleg mixes at the moment, thanks to a link to The Dr. Blog supplied by Videodrome on Barbelith. Some brilliant stuff here – I’m particularly impressed by the Missy/N’Sync “Pop” hybrid, the Madonna/Young MC “Music Know How” and the Kraftwerk/Whitney Houston “I Want To Dance With Numbers”. I’m also very pleased to have a nice clean version of “Stroke of Genie-us” without any DJ chat at the end. Oh my, have I caught the bootleg mix fever.


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