Fluxblog
April 4th, 2006 2:50pm


Lucky Stars In Your Eyes

Daniel Johnston “Like A Monkey In A Zoo” – The very best thing about Jeff Feuerzeig’s The Devil and Daniel Johnston is that, in spite of containing quite a bit of footage depicting Johnston in severe manic states, it never treats the man “like a monkey in a zoo.” Even when Daniel hits his lowest lows – beating his manager with a lead pipe, crashing a small aircraft piloted by his father, frightening an old woman into jumping out of a window – Feuerzeig consistently avoids sensationalism. If anything, he errs on the side of fan-ish reverence, making the film come off more like a sentimental history of Johnston’s art and struggles with mental illness rather than a critical documentary. I appreciate the fact that a film about Johnston would probably never be made unless it was created by a devoted fan, but I am disappointed that the movie rarely engages with what I would consider to be a major part of the Johnston phenomenon – the fetishization of his illness and “outsider” status by a large portion of his fanbase, either as evidence of his authenticity and purity, or as a voyeuristic selling point. But then again, maybe that’s a whole other film waiting to be made. (Click here to buy it from Amazon.)

Kathy McCarty “Walking The Cow”The Devil and Daniel Johnston does serve its subject well in terms of emphasizing the fact that his fascinating troubles are only a small part of Johnston’s eduring appeal, and that his music really has touched many people over the years. His own recordings can easily distract listeners with their shoddy lo-fi sound, shakey performances, and Daniel’s child-like, somewhat androgynous voice, but his catalog is perhaps best suited for interpretation by other artists. Johnston’s longtime friend Kathy McCarty’s album of his songs, Dead Dog’s Eyeball, is especially great; foregrounding his melodic sensibilities in elegant arrangements, and lending her skills as an interpretative vocalist to his surprisingly nuanced lyrics. In her hands, “Walking The Cow” becomes less of a curiosity, and more of an obvious alt-pop classic. (Click here to buy it from Amazon.)

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