Fluxblog
October 21st, 2018 10:32pm

A Love Hangover


The Concretes “Diana Ross”

Victoria Bergsman sings “Diana Ross” with a drowsy, uncertain tone that’s very far removed from the bold, hyper-confident voice of the song’s namesake. But she knows that, and this isn’t emulation so much as a tribute, or an attempt to connect with a strength and power beyond what you believe you’re capable of. In most cases, this is the actual utility of pop music – it’s a proxy, and a way to understand or channel our feelings into something more beautiful or elegant. Bergsman is referencing “Love Hangover” in particular, which has a smooth, sensual quality that’s quite different from the slightly awkward staccato beat and wobbly sax of this song. But as much as insecurity manifests itself in the music, it also sounds like a shy person speaking up and reaching out. Bergsman gives the chorus everything she’s got, and for me, hearing her sing out with such overwhelming sincerity is more moving than most Ross performances.

That chorus though. “I didn’t know what I feared, but I do know what I feel.” Boy, do I ever know how you feel there, Victoria. She sings it like she’s surprising herself, like she’s only just now understanding how fear can put you out of touch with reality. But feelings? Feelings are usually the truth. Hearing Bergsman repeat “I do know what I feel” at the end of the song gets me in the gut. She’s realizing something, and getting strength from it. Maybe Diana Ross is what brought her to that epiphany, but I don’t really think so.

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