February 24th, 2011 1:00am
Because I Don’t Want To Be Alone
I've come to the conclusion that the more I try to understand my response to Toro Y Moi's second album
Underneath the Pine, the less I get it. I have found that my natural inclination is to zone out during large portions of the record, and I've found that it's not a bad thing. It may in fact be the point. My attention doesn't stray because I'm bored and disengaged -- if anything, I find that I'm more connected to this record when I'm not focused on it, when the sound and beat become part of my surroundings and the mood of the music becomes indistinguishable from my actual emotional state.
Not all of the album is straight-up musical wallpaper. A lot of the reason why the record works is because it does periodically snap together into tighter, more pop-oriented forms. "Still Sound" is my personal favorite, and I think it's the most impressive piece of music Toro Y Moi has produced to date. There's a touch of Arthur Russell in this one, not just in the tonality, but in the way the arrangement keeps shifting without seeming restless. (I was listening to my favorite Russell piece
"Tell You (Today)" recently and was totally in awe of how drastically it shifts while seeming totally intuitive from moment to moment, I couldn't fathom how it was composed.) "Still Sound" has the deepest groove and the most coherent emotion on the record, though I'd be hard-pressed to describe exactly what it is. I just recognize the feeling every time I hear it, and am always pleased to his this sound that always reminds me of little bubbles rising up in a glass of soda water.
2/24/11 2:13 pm
Nice little write up here. I haven’t checked out the whole album just yet. Just a couple of the tunes. It was alright what a heard but I see where you are coming from with your writeup and when I get to it I will check out the rest of the album. I agree that Still Sound is a nice tune.
2/24/11 7:03 pm
I was so disappointed with this record - maybe because the “singles” were “Still Sound” and “New Beat,” which were fun little disco numbers, and the one-off songs released between the last record and this one were similar. Still Sound was definitely one of my favorite Toro tracks so far. I wrote about it here before the rest of the album leaked.
I’m thinking that maybe I’ve got to give it a few more listens and try to get into it the way you’ve described here…
2/25/11 9:57 am
This is a nice writeup and I agree that Still Sound is the best and most interesting track on the record. I feel like the album in general is too on-the-nose in terms of referencing just enough of the current hot trends and influences to warrant the Best New Music rating on Pitchfork, while not really bringing anything new to the table. But I may be a cynic. Either way, I’ll be listening to this song quite a bit this year.
2/25/11 12:04 pm
I dunno, I am all in favor of classy, groovy art pop getting some positive attention.
2/26/11 11:41 am
That’s fair. Actually, large swaths of the album remind me of Stereolab, who I know you admire and have written about several times.
2/26/11 12:40 pm
Yeah, this album does remind me a lot of post-Cobra and Phases Stereolab, though this guy’s style of rhythm and melody is very, very different from that of Tim Gane and Laetitia Sadier.