September 22nd, 2010 8:28am

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BUY Toprol XL ONLINE NO PRESCRIPTION, Pavement @ Rumsey Playfield in Central Park, 9/21/2010
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Pavement "Shoot The Singer" (Live in St, fast shipping Toprol XL. Australia, uk, us, usa, Louis 10/14/1999)

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9/22/10 9:09 am

Mellow Jazz Docent says:

Wow, that is high praise coming from you! Great setlist, I’m glad to hear they are still digging deep with song selections. Enjoy the shows!

9/22/10 9:46 am

Quasar in the Mist says:

Thanks for the Pavement focus this week! I’m going to the show on Friday and am super-excited. What are the chances they might break out “Easily Fooled”? Slim to none, I’d imagine.

9/22/10 9:53 am

Matthew Perpetua says:

They haven’t played that one, and have kept away from b-sides, but I’d put that at maybe a 5-10% chance. It’s not impossible.

9/22/10 11:49 am

dhs says:

Nothing for Oh Sees?

Watching their set I was thinking they’d have outshined the Pavement that played Williamsburg. Just felt like hit after hit after hit.

That aside, Pavement was ferociously good, funny and just-so synchronized. His solos felt perfectly novel, and for all I know they were.

It seemed like a guy baiting himself to stay more attentive than usual by just throwing himself onto different barely remembered notes and working from there. Maybe that’s the schtick he’s been plying all along. Anyway, impossible to resist.

9/22/10 12:20 pm

I wasn’t that into Thee Oh Sees. It was nice when they’d seemingly accidentally get a bit Krautrock but they mostly just kinda went right by me.

9/22/10 1:09 pm

D says:

Perhaps the strangest thing (for me at least) is that it didn’t seem like that much time had passed since I last saw them however many bazillion years ago that was. I don’t mean in a nostalgia trip sorta way. Sure, there’s SM with the same old haircut, Nast continuing to be the secret weapon, but the songs were still so completely green apple fresh. I love that their very unexpectedness, that loosey goosey sometimes plain old messy quality, keeps them from being a freeze dried indie rock trip which many of these other reunion-style shows have been.

9/22/10 1:20 pm

Yeah, totally. I was trying to articulate this in the Quarantine the Past review I did for Pitchfork, but there is something unusually evergreen about those Pavement records, they age so incredibly well, and I don’t know what the explanation for that is, some things are basically just as good or more “important” but wear more with age.

9/23/10 9:21 pm

David says:

The 9/21 show was the first time I had ever seen Pavement live, and for all we know will probably be the last. So I am very glad to hear you think it was the best among their first three in NYC (maybe 9.23 will blow people away). Thought it was funny during We Dance how Malkmus sort of stopped and glared at Bob at one point when the latter was getting liberal with the weird synth he had going in the song — like Rob Harvilla over at Village Voice said, Bob is integral because he tries to “sabotage the show in the best way possible” (or something to that effect). That Malkmus truly loves his guitar jams too, huh. What about when Bob said that if they didn’t play Cut Your Hair, everyone “except 14 dudes” would leave or something…an exaggeration of course, but, I mean, I would have stayed if they had played side 2 of Wowee Zowee backwards out of tune, I’m just saying.

9/27/10 5:12 pm

Rob says:

THANK YOU for that “Shoot the Singer.” I gotta say, it really belies all that anecdotal evidence of how lame and lackluster the ‘99 tour supposedly was. Man, just listening to that vocal…