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February 26th, 2007 1:24pm

Something’s Here But Something’s Gone


The Clientele "Joseph Cornell" - You can listen to this song during the day, and because it is an exceptional composition it will sound just fine, but it will only really make sense at night. (This is also the case for the vast majority of the Clash's discography, most of which sounds as though it was recorded in a world illuminated only by the moon, street lamps, neon signage, and fluorescent light leaking out the windows of buildings.) The lyrics are fully aware that the music is about the night, and more than that, a feeling of emotional absence accompanying physical presence as two people make their way home in the wee hours. The words set the song in London, but the mention of Delancey Street and quiet late night train rides keeps my mind in Manhattan, in part because I can't help being a bit provincial, but more in that the Lower East Side is a place that I associate with this type of scene, and this particular sort of loneliness. (Click here to buy it from Merge.)

Grachan Moncur III "When" - The song walks in aimless circles, somehow lost in a place it knows too well. It doesn't matter what the other instruments do -- if they pull off in another direction, if they whine and moan and protest, if they cool out and nod gently -- they can't escape the gravity of that unchanging piano motif. It's an anchor, and even if its chords are calming, by the end of the piece, it becomes clear that it has kept the song contained within a stifling perimeter. It grinds down on hope, and reinforces pessimism. It's a beautiful performance full of inspired improvisations, but that just makes the piece more terrifying and seductive. (Click here to buy it from Amazon.)
RSS Feed for this post10 Responses.
  1. juepucta says:

    Hey there,

    I think you’ve got a typo in that post. It’s either the Clientele or the Clash. Just thought i’d let you know. Keep up the great blogging.

    (Feel free to delete this comment if and when the correction is made)

    Take care,

    -G.

  2. Matthew Perpetua says:

    No error, that was an aside about the Clash.

  3. cindyhotpoint says:

    I think Joseph Cornell said (I’m totally paraphrasing here) that NYC is the best city in the world to be alone in. I’m assuming that’s what Londoners The Clientele are referencing here.

    Having walked in Highgate and on Delancey, I feel qualified, in this context to urge you to go take a walk down Utopia Parkway and listen to this song (convenient, no?), and you may get the full effect.

    I’ve always been pleased with this song, being a fan of both the band and the artist; it makes me happy in much the same way that Mazarin’s song “Henry Darger” (f/k/a “Vivian Girls”) does.

  4. cccccccccc says:

    Delancey is a street in London, in Camden.

  5. Matthew Perpetua says:

    I know! I acknowledge that! Man, is this post a lot more confusing than I realize?

  6. Paul says:

    Not confusing at all. Maybe the readers have a nasty weekend hangover?

  7. cindy hotpoint says:

    Oh whatever, Paul.

    Joseph Cornell was from Queens. That’s what I was referencing. *sigh*

    Maybe we are all confused.

  8. Matthew Perpetua says:

    Cindy, you didn’t seem confused at all. And your comment was helpful because I’ve been wondering for years why the song was named after him.

  9. cindy hotpoint says:

    That’s what I get for reading comments after a hard, traumatic day in the word mines!

    Matthew, if you have a chance to see Joseph Cornell’s art in person, please do. I think you’d really dig it. I think the Met has a few pieces, but most are in Chicago and at the Menil in Houston, where I would visit them often.

  10. floodwatch says:

    Regardless of where he’s fron, “Joseph Cornell” is easily my fave Clientele track - the warm, saturated fidelity is gorgeous. I only wish it went on twice as long…


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